The story begins during a trip to Thunder Ranch, where the speaker is training in freezing, snowy conditions. The visit includes time on the range with Jack Carr and James Reeves, as well as working with Clint Smith. Clint is described as highly efficient and an excellent trainer, setting the backdrop of a serious training environment. While all this is happening, the speaker is balancing time between meeting people at the facility and participating in the course work, creating an unusual setting for what becomes a rushed film prop design project.
In the middle of the Thunder Ranch trip, a call comes in with an urgent request: design a gun for the movie Bullet Train, specifically for Brad Pitt’s character. The reaction is casual but positive, noting that Brad Pitt is viewed favorably. This sudden assignment introduces a tight deadline and the need to create a distinctive handgun suitable for a major film role, all while the designer is still away from the shop and focused on training.
The initial concept centers on a custom 2011 pistol. The design is for a 4.5-inch gun with an island barrel, developed rapidly using CAD. The designer collaborates remotely with a colleague, sending photos back and forth and making iterative changes over the phone. Details are adjusted on the fly—“change this, change that”—as they refine the look and configuration. All of this design work happens concurrently with the Thunder Ranch course, highlighting the compressed schedule and improvised workflow behind the proposed 2011 build.
As the design process continues, the production timeline tightens. The team is told there is essentially no time left, and the gun must be completed and shipped to another country within about a week. Realizing that building the custom 4.5-inch 2011 with an island barrel cannot be done within the required window, the designer decides to abandon that plan. The pressure of the deadline and the logistics of international shipping drive the decision to pivot away from the original, more complex concept.
Facing the deadline, the team opts to use an existing platform instead of the custom 2011. They decide on a Glock 43X that had already been configured as a Combat Master. This choice allows them to meet the time constraints and still provide a functional, recognizable handgun for the production. In hindsight, the designer is relieved the elaborate 2011 never made it on screen, suggesting that the scene would not have justified the effort that the fully custom build would have required.
The final result appears in the opening of Bullet Train. Brad Pitt’s character is shown at an airport, communicating with Sandra Bullock’s character, who insists he bring the gun. He resists, saying he does not want to bring it, but ultimately complies. Wearing a hat, he opens a locker to retrieve the handgun. The designer connects this brief airport locker moment to the behind-the-scenes scramble, noting that the chosen Glock 43X Combat Master is the gun associated with that early scene in the film.